Tag Archives: Performance

THE ACTOR AND THE AUDIENCE

Pitchcoach-004-SeriousAudience In any pitch, presentation or interview before an audience the way you come across matters, usually more than what you actually say. You need to perform, something actors do for a living. This is what I learnt from one actress, Imogen Sage, when asked about dealing with an audience.

How do you handle nerves facing a live a audience?

Preparation is everything. Through constant repetition in rehearsal you become so familiar and so comfortable in the role that knowing your lines will be no problem, even if you are nervous. This means you can enjoy, rather than fear, the sense of occasion. This is something that actors live for.

How do you respond to a difficult or disappointingly small audience?

You do your job and give it 100%. You give everything and expect nothing in return.

Pitchcoach-005-ClappingAudience.

How does the audience effect the performance?

Perfomances do not exist in the absence of an audience. There is two way exchange of energy, with a shared sense of anticipation. As an actor you tap into this to be ‘in the moment’ and tune in to what kind of audience they are. As much as they are listening to you, you are listening to them.

The theatre is the involuntary reflex of the ideas of the crowd”.

Sarah Bernhardt

 

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Performing at the top of your game.

At my regular early Sunday morning session with tennis coach Preston I was, for  some reason, on fire! On my toes, relatively speaking, and middling it. Well most of the time. Concentration was easy, my mind surprisingly alert and focused but relaxed at the same time. In short I performed at the top of my game.

This was not planned or deliberate. It was a happy accident. This is not the case for top professionals in sport. 

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 Usain Bolt’s  posturing at the start is not a casual act. Long before the race he will have stopped worrying about technique or the conditions or his competitors. In warm up he will have gone through his own well considered preparation, enabling him to arrive at that moment of truth,  the start,  in the right frame of mind. Totally relaxed, totally alert and  even able to ‘act’  to undermine his rivals without loss of focus.

Few business people, who are also of course professionals, seem to take the Usain approach into the pitch. Constant  revisions to content, late arrival of props or the frantic last minute  rehearsal all work against the right frame of mind for giving a best performance!